Category Archives: Fantasy

Freedom’s Just Another Word for Nothing Left to Lose

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Powers
by Ursula K. Le Guin,
2007.

Powers was awarded the 2008 Nebula for Best Novel by the Science Fiction and Fantasy Writers of America, so once again, I am late to the party. Sadly, the author passed away in January of this year. But if you’ve ever wondered if she deserves her reputation, just read Powers and that should settle the matter once and for all.

Powers is billed as the third book in the Annals of the Western Shore, but don’t let that put you off. Apart from being set in the same invented world and with a light crossover of characters, the books are independent stories and can be read in any order.

Gavir is an eleven-year old slave boy at the beginning of the story. He is one of the Marsh People, which means he is darker skinned than the other people in his life, apart from his older sister, Sallo. Sallo and Gavir were taken when they were small children, too small to have any memory of their former lives. Now they are slaves in the household of a wealthy family in the city-state of Etra. Gavir is content with his life. He is not a farm slave, laboring in the fields, but a house slave, living in comfort with an enlightened master and his family. In this house, slaves are not beaten or tortured. Slave children play with and are educated alongside the children of the Family. Gavir himself is a promising little scholar, who is being groomed to take over the job of teacher to the household once the slave who currently holds that post grows too old to carry on.

Gavir also has powers, hence the title, powers he barely understands himself. The first is that he has occasional visions, brief glimpses of the future. Gavir calls this “remembering,” in the sense of remembering things that have not yet taken place, though Gavir spends most of the story puzzling over what use this power might have, if any.

The invented world in which the story takes place and Gavir’s visions are the only real fantasy elements in this novel, which otherwise could be taken as an historical tale set in the ancient Mediterranean world. Oh, but wait! Gavir has one other power: a photographic memory, although the book never describes it in those words. It’s a phenomenon we are familiar with in our time, but surely would seem magical to those living in a less advanced culture, and indeed it does to Gavir and the people who know him.

The novel follows Gavir for the next six years of his life, until he’s seventeen. His world seems cozy and secure at first, with his future as a teacher in the household of a kindly master an inviting one. But, alas for Gavir, it is not to be. First, a terrible injustice turns Gavir’s world upside down and compels him to flee his master and Etra, and wander the Western Shore in constant danger. For the relationship between master and slave, as Gavir comes to understand, is based not only on power, but also on trust. A slave must be able to trust the master, and if the master betrays the slave, well, even a slave is capable of betrayal in return.

Gavir’s wanderings take him deep into a forest, where he discovers the legends he has heard are true: hidden deep in the wood is a community of escaped slaves, who live in freedom, as equals. Gavir is welcomed among them. He can recite from memory many of the long poems and tales of old for this band of largely illiterate and isolated ex-slaves, which soon makes him a valued and respected member of the community. But in time, there is another injustice, and Gavir must flee again. He makes his way to the marshes, where he reconnects with his clan and his family among the Marsh People. But the Marsh People are an isolated folk with a very different culture. Gavir finds they do not understand him and he cannot understand them. “The slave takers did not only take me from my people,” he muses. “They took my people from me.”

During his stay with the Marsh People, a vision tells him that his former owners do not believe he is dead, as he had hoped, but in fact a slave catcher is tracking him. Gavir now must leave his people, in the hope he can find a place for himself in this world, before the slave catcher has his vengeance. Perhaps Gavir might even at last find a use for his powers.

You expect elegantly crafted prose from Le Guin, and she does not disappoint here. Powers is largely a character study, as we watch Gavir grow from a naive, hopeful tween forced to become a man all too soon in reaction to the harsh world he lives in. And, led along by Le Guin’s sure hand, we grow right along with him. I had the misfortune of reading the climax of Gavir’s story late at night and found myself forced to keep reading into the small hours of the morning as my heart pounded in fear for Gavir as the slave catcher closes in, and ended the story the same way Gavir did—with tears in my eyes.

Powers is a young adult novel in every sense. It is literally the story of growing up. We can all, like Gavir, recall our sojourn from naive child to disillusioned young adult, wondering all the while what place, if any, this disappointing world holds for us, and so readers of any age can find in him some of our own formative experiences. Gavir’s world is a difficult world, but a textured one. There are no black knights, or white ones, just people making their way through tough circumstances, some more admirably than others. This is a long book, for Gavir has a long journey, but that merely means he has well earned his tears of joy on the final page. Journey by his side, and you will earn yours along with him.

The Wearing of the Green

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Jade City
by Fonda Lee.
2017.

I regret that I’m late to this party; by the time I get around to writing a review of this book, it’s already snagged a Nebula nomination for Best Novel and a Locus Award nomination for Best Fantasy Novel, so it’s well past the time I can claim to have “discovered” it. I was sold on Fonda Lee’s writing by Exo, so when Jade City came out, I read it right away, but I had to think about it for a while before I felt ready to write about it. This is a book that invites thought.

Jade City brings to mind classic Bruce Lee martial arts films, but with jade magic substituted for conventional martial arts. It’s set in an imagined world drawn from our East Asia. The island of Kekon won its independence a generation earlier with the help of Green Bones, Kekonese warriors who have mastered the art of magical combat using power drawn from the jade they wear. Today, the same clans that secured Kekon’s freedom act as underworld crime families. They battle for control of the districts of Janloon, the capital (and titular “Jade City”), policing the streets, expanding their own interests, claiming stakes in local businesses, and helping friends of the clan while fighting off attempts by other clans to expand their own influence in the same way. Kekon might be Taiwan. Or Japan. Or the Philippines. Janloon might be Tokyo. Or Hong Kong. Or Singapore. The technology of this world seems to be 1970-ish. There are cars and air conditioning and television, but no sign of computers or mobile phones. Maybe that’s why my mind keeps going to Bruce Lee films.

I have to say that I’m probably not the ideal person to comment on this book. I was never able to get into martial arts films. (Even though my family is part Asian, and it’s not like no one’s ever tried!) So I approached Jade City with some doubts about whether someone like me could enjoy this book. I’m happy to report that those doubts were groundless. Fonda Lee has built a living, breathing world populated with a cast of varied characters struggling to maintain their positions as the ultimate conflict—between Janloon’s two most powerful clans—threatens to tear their world apart. There are young people learning to become adults, adults learning how to lead, and elders struggling to let go. Here you will find warriors wielding jade magic to defend their way of life, lovers finding, or rediscovering, their passions, and secrets everywhere, waiting to be unraveled. There is Lan, the leader of the clan, an able administrator, but perhaps not the right person to lead his clan into war. There is his brother Hilo, skilled in jade combat but hot-headed and too easily provoked. And their sister Shae, who walked away from the clan but now finds herself returning in her family’s time of need.

I particularly liked Lee’s use of linked points of view to introduce the large cast of characters she’s created. We meet a teenage criminal in the first chapter, he meets the character who becomes the POV character in the second chapter, who meets another POV character, and so on. It’s an effective way to ease the reader into this world without overwhelming. Jade City tells a sprawling story with many engaging characters, each trying to make her or his way through a world suddenly off balance and changing in unpredictable and dangerous ways. That’s a circumstance we call all identify with.

Jade City isn’t like anything you’ve read before, and even if you’re like me, and martial arts films aren’t your thing, its characters and world will keep you reading and will stay with you a long time after you’ve finished.